Sketches and Arctic Antics

First things first, here are the obligatory train sketches from my trip to Cambridge this week. Both done on the homeward journey - no opportunity to draw on the way there.

I had a great time as usual and finally got my hands on that lovely printroom. I knew there was something very different from Brighton Independent Printmakers (other than the hugeness and hospital-neatness) and as we had our induction I realised what it was...no smell! They use hardly any toxic chemicals and no naked flames (so no smoking of the hard ground or blowtorching aquatints...two of my favourite bits!). It's so strange to be in an odourless printroom! Good-strange, I suppose, although I'm actually fond of the smell of BIP (despite the raw lungs...). They use aluminium with copper sulphate, and zinc and steel with Edinburgh Etch. The processes are very similar to those I have done before so I am really looking forward to taking advantage of the open access facility.

I came home to a letter from hell giving me news I really didn't want. (Boring money stuff as usual). The panic it has induced has given me a burst of energy (not to mention a blinding headache and going off food and sleep) and today I totally cleaned, sorted and rearranged my studio. I have got a mangle which I've had adapted to make a small press, and I wanted to make room for it and varnish the wood bits. I worked really hard all day in the arctic temperature* of the studio and feel frustrated that I won't be able to work in there for ages as I'm doing extra days in the shop next week.

Tonight, sketching for my project. I will work through the pain of the headache and the panic of the letter!

* (I wore - knickers, bra, tights, legwarmers, bedsocks, trainers, jeans, vest, pyjama top, hoody, scarf, painting overall, bodywarmer, hat and gloves).